Leslie-Arlette Boyce has an extensive background in designing and implementing interdisciplinary, multicultural, and holistic programs in the visual and performing arts, on the performing stage, and within university settings, with creative pursuits designed around multi-cultural casting.
As visiting professor in the dance department at Bard College from 2002 to 2009, she concentrated on Dunham-based technique, which has its roots in the African Diaspora and is informed by its inextricable ties to anthropology.
In 2004, photographs of the African Burial Grounds in NYC, were added to the Photography and Print Archives at the Schomberg Center for Research in Black Culture.
In 2012 CHOREOTOGRAPHY®, was issued a Certificate Of Registration by the European Register of Community Trade Marks, and in that same year debuts on stage at City Center during the Career Transitions for Dancers Gala. In June of 2016, the Pen & Brush Gallery was featured on NYC-Arts/ PBS. Beauties: As Seen By Others / And Then What Is, performed a work in progress that aired in that same segment. In June of 2018, three photographs from her collection of dance photography were included in a group show, along with works by Romare Bearden.
A fiscally sponsored artist by the New York Foundation for the Arts.