Diane Burko’s work in painting, photography, and time-based media considers the marks that human conversations make on the landscape. After focusing for several decades on monumental geological formations and waterways through landscape painting, Burko has shifted in the past 20 years to analyze the impact of industrial and colonial activity on those same landscapes. Burko’s practice seeks to visually emulsify interconnected subjects– extraction, deforestation, extinction, environmental justice, indigenous genocide, ecological degradation, climate collapse– so viewers might feel their connection viscerally; so that the connection becomes impossible to ignore. While her work deals with impending climate catastrophe, rather than lingering in dystopia, it celebrates the sublimity of the landscape by honoring the intricate geological and political webs that shape the identity of a place.

Burko has exhibited extensively nationally and internationally, and especially cherishes her collaborations with researchers in the sciences. She learns the most from “bearing witness” to the land.