Hepburn London is an American photographer whose work seeks to capture the ephemeral nature of time and memory. Using a pinhole camera and vintage light meter, London's practice embraces a centuries-old process that forgoes the precision of a lens, allowing light to inscribe itself onto film in its most unmediated form. The result yields ethereal images that evoke transient, almost spectral qualities.

Memory is an act of both preservation and erasure. It clings to fragments of the past — imperfect, unreliable, and ever changing. Over time, details blur, edges soften, and what remains is less an objective testimony than a remnant, shaped as much by what is discarded or forgotten as by what remains.

London's pinhole photography, with its imprecise rendering and unpredictable exposures, mirrors this fragile process. The pinhole camera becomes an instrument of attunement; the process of light capture mirrors the contemplative nature of spiritual practice — an act of surrender to forces beyond the self, where the final image is as much a revelation as it is a record. London's photographs do not seek merely to capture a single fleeting moment, but to make visible the liminal, to hold fast to that which is perpetually in the process of receding.

London is represented by Tourné Gallery in New York. She has photographed landscapes across the United States of America, as well as in countries in South and East Asia, West Africa, Western Europe, and Central and South America.